Brezplačna dostava za naročila nad 69,99 € na prevzemna mesta DPD in Express One.

Preverjanje stanja naročila

Postanite del skupnosti ljubiteljev knjig z vsega sveta in uživajte v številnih ugodnostih. Ustvarite brezplačen račun

Brezplačna dostava Zásilkovna nad 69.99 €

Zbirna točka GLS 4.49 € Zbirna točka DPD 2.99 € Kurirska služba GLS 5.49 € Kurir DPD 3.49 € Kurirska služba Express One 3.49 € Zbirno mesto Express One 3.49 € Zbirno mesto Pošte Slovenije 3.49 € Dostava preko Pošte Slovenije 3.49 €

Kontakt

Kako nakupovati

Pomoč

Moj račun

▸ Prazna :-(

Brezplačna dostava za naročila nad 69,99 € na prevzemna mesta DPD in Express One.

Reading the Graphic Surface

Name: Reading the Graphic Surface
Brand: MANCHESTER UNIVERSITY PRESS
SKU: 06497720
Price: 31.23 EUR
Availability: InStock
Author: Glyn White
ISBN: 9780719069697

The Presence of the Book in Prose Fiction

Glyn White

Jezik

Angleščina

Knjiga Mehka

Koda Libristo: 06497720

Založba MANCHESTER UNIVERSITY PRESS, marec 2014

This book critically engages with the visual appearance of prose fiction where it is manipulated by... Celoten opis

Koda Libristo: 06497720

76 b

31.23 €

Na zalogi pri dobavitelju Odposlali bomo v 10-18 dneh

Do 30 dni za vračilo

Drugi so kupili tudi

99 Variationen eines Beweises Bernd Schuh

Trda

19.81 €

Reittagebuch: Das Reittagebuch zum Eintragen für über 200 Reiteinheiten - Mit meinem Haflinger durch das Jahr - Jahreskalender - Ges Reitstall Publishing

Mehka

9.80 €

Příběhy rabiho Nachmana Martin Buber

Mehka

8.18 €

Jean Sans-terre; ou, La mort d'Arthur, tragédie en trois actes et en vers. Représentée, pour la premiere fois, sur le Théâtre françois de la rue de Ri Jean François Ducis

Mehka

15.66 €

ANUARIO DE LOS CURSOS DE DERECHOS HUMANOS DE DONOSTIA-SAN SEBASTI SOROETA LICERAS

Trda

49.33 €

This book critically engages with the visual appearance of prose fiction where it is manipulated by authors, from alterations in typography to the deconstruction of the physical form of the book. It reappraises the range of effects it is possible to create through the use of graphic devices and explores why literary criticism has dismissed such features as either unreadable experimental gimmicks or, more recently, as examples of the worst kind of postmodern decadence. Through the examination of problematical texts which utilise the graphic surface in innovative and unusual ways, including Samuel Beckett's Watt, B. S. Johnson's Albert Angelo, Christine Brooke-Rose's Thru and Alasdair Gray's Lanark, this book demonstrates that an awareness of the graphic surface can make significant contributions to interpretation.