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Picture Perfect

Name: Picture Perfect
Brand: University of Exeter Press
SKU: 05026014
Price: 23.73 EUR
Availability: InStock
Author: Bryony Dixon
ISBN: 9781905816019

Landscape, Place and Travel in British Cinema before 1930

Bryony Dixon

Laraine Porter

Jezik

Angleščina

Knjiga Mehka

Koda Libristo: 05026014

Založba University of Exeter Press, marec 2007

The British cinema has drawn extensively on our national landscapes. Filmmakers have explored the en... Celoten opis

Koda Libristo: 05026014

57 b

23.73 €

Na zalogi pri dobavitelju Odposlali bomo v 10-18 dneh

Do 30 dni za vračilo

Drugi so kupili tudi

Droit administratif Granger

Knjiga

19.79 €

Finanční a ekonomická gramotnost Eva Skořepová

Mehka

3.83 €

Material de contrabando Gutiérrez Román

Mehka

12.72 €

Avez-vous compris les philosophes ?: Platon, Aristote, Descartes, Kant, Hegel, Nietzsche, Heidegger. Postlude: Empédocle Pierre Le Vigan

Mehka

7.06 €

ARMADO hasta en el nombre y el apellido: Una entrevista al escritor Armando de Armas Yoaxis Marcheco Suarez

Mehka

14.94 €

Catalogue Des Objets de Vitrine Et Bijoux Anciens, Boites, Etuis, Flacons H. Houzeau

Mehka

13.02 €

Il correttore di bozze Francesco Recami

Mehka

19.28 €

Propagandes Silencie Ignacio Ramonet

Mehka

11.91 €

Romans Populaires Illustres. Madame Hoffman-Tanska La Provinciale A Paris Louise Colet

Mehka

13.02 €

Vie de Saint Julien Et Des Autres Confesseurs Pontifes, Ses Successeurs (Ed.1844) Auguste Voisin

Mehka

29.18 €

The British cinema has drawn extensively on our national landscapes. Filmmakers have explored the entrenched myth of an idyllic rural tradition, intimately bound up with a popular definition of national heritage. Conversely, within a documentary-realist framework, they have looked at the contemporary urban aesthetic, derived partly from a Victorian tradition of social investigation. The fifth in a series of volumes from the annual British Silent Cinema Festival held in Nottingham (and the first to be published by Exeter), this collective study offers an original treatment of the relationship between pre-1930 cinema and landscape. The Nottingham festival from which this collection derives brought together a group of leading specialists - practitioners, academics and individual researchers - who between them provide a detailed investigation into the national cinema before the sound era.