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Where the philosopher has feared to tread, in a realm that has been declared not only non-philosophical, but anti-philosophical, this study attempts quietly to illuminate Paul Valéry's reflections on literature, painting, sculpture and poetry. Professor Kluback ventures into this world of aesthetic insights which has often seemed reserved only for the artist, and off limits to the philosopher, whose explorations tend increasingly to be confined to the technicalities of logic and dialectic.
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