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Dreamlike images, cinematic images: the closeness between these two modes of representation and the real-unreal parallels that give rise to them are deeply rooted in the history of cinema. Films have always been conceived in the same way that dreams take shape. The creation of this cinematic image is subject to a lengthy process, from the birth of an idea to its realization. Cinema is, above all, a perspective on the world offered by a man in search of the collective human experience: the unclassifiable Kusturica draws from his personal history and manages to touch upon the history of humanity.
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