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This monograph is devoted to a deep analysis of the nature of the poetic image in the context of modern Uzbek poetry. It covers the aesthetic, semantic, symbolic and psychological layers of the poetic image on a scientific and theoretical basis. The work analyzes the structures of images such as metaphor, symbol and detail, their harmony in the poet's thinking and their place in the poetic text. In particular, based on the poems of such creators as Ravshan Fayz, A'zam Oktam, Chori Avaz, Nazar Shukur, the individual, spiritual, philosophical and aesthetic load of the image is revealed. The mechanism of activity of the poetic image in the reader's thinking and aesthetic perception is explained, the need to study it as a form of aesthetic communication is emphasized. The monograph reveals the inextricable connection between poetic thinking, image and personality, and the poetic image is interpreted as not only an artistic tool in the text, but also an artistic embodiment of the poet's spiritual world and the field of observation in the reader's mind.
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