Brazenitout

Brazenitout Volume Two is where I dive into my philosophy with a literary work aiming to inspire Hip-Hop enthusiasts. Before this series, I had realized the power of my music, which stemmed from the raw and honest lyrics I wrote during my tumultuous teenage years. Those were not just lyrics but a reflection of my scramble for greatness, which I believe many people relate to. That upbringing instilled in me a determination to challenge the status quo.

This book's reflections offer a glimpse into the inner workings of an artist striving to overcome his ethical and psychological adversity. These theoretical speculations should provoke introspection on the prevalent open-to-question mindsets and habits. A notable topic explored is Nelson Mandela's legacy amidst the challenges he faced in South Africa. This second volume critically examines the portrayal of the new trend of "Men Going Their Own Way," continuing from the first publication while hypothesizing on the growing gender polarity in Western societies. The various religious traditions discussed are authentic and thought-provoking, and my wunderkind outlook should leave you entertained while aware of the issues we face.

This second volume of Brazenitout, with entries composed between 2012 and 2013, dives into past moments. It offers insight into perspectives on the Canadian Hip-Hop scene. That is fascinating due to the prevailing assessment of Hip-Hop as a Universal Kulture, which was challenged. It also addresses the concerning trend of mass shootings in the United States and examines some reasons behind them. Other captivating topics are the Abrahamic lineage of the Thirteen Tribes of Israel, my pick of lovable female celebs, the women in the scripture, and the protection of our Second Amendment Rights.

The cover art design with the Manneken Pis is an homage to Brussels, Belgium, where I published the earlier eBook. Counteraction against the lyrics on my debut album inspired this entire series. Those songs were recorded in Canada and misinterpreted at the time. As an artist, predicting how audiences interpret your work is sometimes beyond possibility, so these entries shed light on my thinking. My lyrics faced examination while my many competitors tried to emulate my intensity. This book is a platform that serves as a therapeutic outlet, expressing my authentic calculations as an artist.