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Bernard Howells explores the problematics surrounding individualism and history in a number of prose texts, and situates Baudelaire within the broader contexts of nineteenth century historical, cultural and artistic speculation, represented by Emerson, Carlyle, Joseph de Maistre, Guiseppe Ferrari and Eugene Chreveul. This major new work will be of interest not only to Baudelaire specialists, but also to scholars working in any area of nineteenth-century French studies.
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