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Anticipating and then grieving the death of her father, Jen Levitt's So Long fleshes out a full elegiac register, sitting with the mourning of farewell while holding onto gratitude, remembrance, and a permeating love. "e;Soon,"e; she says, "e;we'll have to find another way to meet, as moonlight / makes the river glow."e; In the contrails of bittersweet loss, Levitt's speaker observes all that surrounds her, and the self, too, as a phenomenon in loneliness. In the suburbs, she notes high- school athletes circling "e;in their sweat-resistant fabrics,"e; "e;so natural in their tank tops, those dutiful kids trying to beat time"e;; upstate, she finds herself in temple where Broadway music has replaced prayer and discovers "e;no promises, / but, like hearing a rustle in deep woods & turning to locate its source, the chance for something rare."e; It is this humanistic faith that inverts the title's idiomatic goodbye into a statement of permanence, the truth of our enduring, improbable lives: look at this, she seems to command herself, "e;& look at how lucky I've been, for so long."e;
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