Innovative Technology in Art Conservation

This book begins with a brief history of so-called science-based conservation, which is based on chemistry, physics and engineering, and examines how it influences conservation ethics and conservation decisions. considers the concepts of originality and original appearance, and how people see and perceive objects, looking in particular at the results of the relatively new technology of eye-tracking. then moves on to critically examine advanced technologies such as colour modelling, hyperspectral imaging, texture mapping, virtual retouching and digital reproductions and considers what they offer for determining original appearance of artworks and other cultural heritage objects. book concludes with some reflections on the future of conservation and science-based conservation, calling for more thoughtful consideration of what it is that conservation scientists are offering, and why and for whom it is being offered. is essential reading for academics and students working in conservation and conservation science. The book will also be of interest to the international community of conservators and cultural heritage professionals who must make decisions about whether to use advanced technologies in their practice.