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Priest's debut collection, Horsepower, is a cinematic escape narrative that radically envisions a daughter's waywardness as aspirational. Across the book's three sequences, we find the black-girl speaker in the midst of a self-imposed exile, going back in memory to explore her younger self-a mixed-race child being raised by her white supremacist grandfather in the shadow of Churchill Downs, Kentucky's world-famous horseracing track-before arriving in a state of self-awareness to confront the personal and political landscape of a harshly segregated Louisville. Out of a space that is at once southern and urban, violent and beautiful, racially-charged and working-class, she attempts to transcend her social and economic circumstances. Across the collection, Priest writes a horse that acts as a metaphysical engine of flight, showing us how to throw off the harness and sustain wildness. Unlike the traditional Bildungsroman, Priest presents a non-linear narrative in which the speaker lacks the freedom to come of age naively in the urban South, and must instead, from the beginning, possess the wisdom of "e;the horses & their restless minds."e; FROM "e;RODEO"e; The four-wheeler is a chariot. Horse-wraithsKicking up a plume of spirits in the dirt behind us.Her arms kudzu around my middle. Out here, In the desert, everything is invisible.Only the locusts' flat buzz givesThem away. Everything native & quieting Perennial & nighthawk blackAs we ride through: the cowgirls,The witch & the water sky-mirror-split, The severity of squall lines. Also, the lipsParting air like lightning & the girlBlowing bubbles-in each one a rainbow.
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