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Manguel gives a detailed and highly sensitive account of the film's felicities of inventive film-making. He also traces the literary roots of the Frankenstein myth, the creation of a living being by a man usurping the powers of a jealous God. And he finds echoes in the work of modern artists such as Max Ernst and Marcel Duchamp of the Bride as a kind of femme fatale, monstrous and threatening.
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